Written by Solaia Suherman, Grade 9, for the Buss Brief Newsletter
The Her Art society is an exploration of the lives, stylistic choices, beliefs, values, and concepts of the great female artists of yesterday and today — through which we can use their art as a window to learn, discover, and grow. “I’ve always wanted to learn more about women artists, often finding myself pondering upon the questions -- Why does Yayoi Kusama paint polka dots? What was Meret Oppenheim trying to say when she covered a teacup in a Chinese gazelle’s fur? How did Frida Kahlo weave symbolism into her work? What was the place of female artists in society: past and present? Through this society, we discuss and even answer questions like these. To embark on an exploration of female artists and their ideas will not only lend us the reflection of the world, but also the discovery of our own place in it. Ultimately, great art is a reflection of humanity. It captures its time and evokes their values. It grants us an understanding of the ever-changing world in which we’re surrounded by. Appreciating art isn’t merely a matter of aesthetic — it is the unveiling of the underlying message conveyed through it. So, I hope that others, as well as myself, can hold on to these words whilst we embark on this exploration of female artists. After all, art always goes back to humanity.” During the Chinese New Year break, the Her Art society set out on a visit to OTA Fine Arts, (Gilman Barracks), to view an exhibition by the sensational Yayoi Kusama. The artist showcased 15 of her monochrome paintings from her My Eternal Soul series (2019-2020), as well as CLOUDS (2019), a sculpture installation of mirror-finished stainless-steel forms. Given that we have been learning about Kusama, her life, and her work, the exhibition was a perfect opportunity to see some of what we have been discussing in the flesh. Indeed, we had a great amount of fun talking, looking, pondering, and learning during the visit. Kusama’s work evoked beauty in pattern and repetition that inspired us all — truly, a memorable afternoon spent.
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Urine, feaces, tears, blood, hair, skin– the human body has been used not merely as the subject of art works, but also as the substance. The way this has occurred has been diverse in terms of appearance and art-making practices, encompassing casting and sculptural processes, drawing, painting and photography. As diverse as they are, the artworks we’ll explore today have one thing in common: they are all considered to be examples of what we term “biomaterial” artworks. Human bodily materials are invested with highly symbolic cultural association and complex emotional entanglements, so the use of human biomatter as an art medium opens up an intriguing opportunity to reflect upon the relationships between materiality, aesthetics and most interestingly, ethics. How do artists get away with it? |
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December 2024
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